Professor Diane Ullman of the UC Davis Department of Entomology and Nematology will speak on “Winds of Change: Bridging Art and Science” at a seminar hosted by the UC Davis Wildlife, Fish and Conservation Biology on Wednesday, April 25 in Meyer Hall.
The seminar will take place from 3:45 to 5 p.m. in the Foster Room, Room 1138.
Ullman, co-founder and co-director of the UC Davis Art/Science Fusion Program, will describe the building blocks, innovations and outcomes of the program that she and nationally known ceramicist Donna Billick of Davis formed in 2006.
Ullman and Billick created the art/science fusion concept in 1997 with an undergraduate course, “Art, Science and the World of Insects,” that became the centerpiece and inspiration for the UC Davis Art/Science Fusion Program.
Since then, the program “has been a hot bed of innovation, bridging art and science with diverse undergraduate courses, exhibitions, performances and colloquia with collaboration among design faculty, science faculty, museum educators, professors artists and UC Davis students,” Ullman related.
Ullman, both a noted entomologist and artist, will relate how the program was developed, why the connections between art and science can be transformational to teaching in both formal and informal settings, and how community inspirations and educational infrastructure are needed to succeed. “As the winds of change moved across the landscape, bridges between visual and performing arts, design, science and technology were built and programs around this concept have arisen worldwide,” Ullman noted.
The settings and circumstances growing from this intellectual borderland yielded many unexpected outcomes that Ullman will share in her presentation.
One of the their most noted works is Nature's Gallery, a mosaic mural in the Ruth Storer Gardens, UC Davis Arboretum, off Garrod Drive. Handcrafted by UC Davis staff, faculty and community members, under the umbrella of the UC Davis Art/Science Fusion Program, it features interlocking tiles showing the diversity of plants and insects in California. The 140 ceramic tiles depict plants and insects. The mosaic mural drew more than 300,000 visitors when it was displayed in the summer of 2007 in the U.S. Botanic Garden on the Capitol Mall, Washington, D.C.
Ullman, who holds a bachelor's degree in horticulture from the University of Arizona, Tucson, and a doctorate in entomology from UC Davis, joined the UC Davis entomology faculty in 1991, after serving on the faculty of the University of Hawaii.
She chaired the UC Davis Department of Entomology from 2004 to 2005, and then served as associate dean for undergraduate academic programs, UC Davis College of Agricultural and Environmental Sciences, from 2005 to 2014.
Ullman focuses her research on insect/virus/plant interactions and the development of management strategies for insect-transmitted plant pathogens. She teaches undergraduate and graduate courses in entomology and the Science and Society Program.
A fellow of the American Association for the Advancement of Science and the Entomological Society of America, Ullman received the 2014 Excellence in Teaching Award from the Entomological Society of America and the UC Davis Chancellor's Achievement Award for Diversity and Community in 2007.
Coordinators of the exhibit are Natalie Nelson, director and curator of the Pence Gallery; and UC Davis professor of entomology and artist Diane Ullman, co-founder and co-director of the UC Davis Art Science/Fusion Program.
The work of 17 artists from a field of 85 worldwide artists are featured in the exhibit, which opened Jan. 26 and continues through March 2. The jurors--Jiayi Young, UC Davis assistant professor of design and Helen Donis-Keller, professor of biology and art at Olin College of Engineering, Mass.—will present the awards at the Feb. 9th reception at 8 p.m.
The exhibit includes installations, video, 2D and 3D work by contemporary artists in the United States and abroad who are exploring themes in both fields of art and science. Selected artists, who range from Davis to Spain, are Omar Armendariz, Kenna Doeringer, Tamren Dong, Annette Goodfriend, Belinda Hanson, Joe Hedges, Allison Leigh Holt, Rickie Jacobs, Stephen Kaltenbach, Pantea Karimi, Alexandra Knie, Robert Krawczyk, Chris Santa Maria, Gail Morrison, Jennifer E. Padilla, Melinda K. P. Stees, and Daniel Tran.
English polymath, scientist, Anglican priest, philosopher, theologian, and historian of science William Whewell (1794-1866) coined the term "consilience" in 1840. “Consilience is the linking together of facts and principles from different disciplines to form a broad, comprehensive theory that spans the realms of knowledge,” Whewell said. American biologist, researcher, theorist, naturalist and author E. O. Wilson brought consilience into the modern lexicon with his acclaimed book, “Consilience: The Unity of Knowledge.”
The goals of the exhibition, as announced last December, are three-fold: to show creative work that explores the intersection between art and science; to foster communication between the arts and sciences, and to spark new ways of viewing the world and ourselves, the organizers said.
Art juror Jiayi Young holds a master's degree in fine arts (multimedia and painting) from Washington State University, Pullman, Wash.; a master of science in atomic physics from Kansas State University, Manhattan; and a bachelor's degree in fine arts and physics, Lawrence University, Appleton, Wisc. She works in the field of digital media with an emphasis on the cross-disciplinary areas of design, integrating art and science with cutting edge technology. Young focuses her current creative work on constructing data-driven interfaces, installations, real-time projection graphics, and performances in public and cultural places.
Donis-Keller, who integrates the fields of art and biology, holds a master of fine arts in Studio Art from the Museum of Fine Arts in Boston and Tufts University, and a doctorate in biochemistry and molecular biology from Harvard University. She says an appreciation for the natural world from the molecular level to the biosphere drives her art.
The exhibit is open from 11:30 a.m. to 5 p.m., Tuesday through Sunday through March 2. Further information on the show is available from Nelson at (530) 758-3370 or firstname.lastname@example.org.
From Solar Design to Psychology of Music, to Language and Sociopolitical Dynamics
Faculty presentations on solar design, psychology of music, and language and sociopolitical dynamics will highlight the Leonardo Art, Science, Evening Rendezvous (LASER) event, set from 6 to 8 p.m., Thursday, Nov. 16 in Room 115 of the UC Davis Music Building.
The event, free and open to the public, begins with networking at 6; and speaker presentations at 6:30. At 7:15, the program includes conversations and rapid fire community sharing.
The speakers are Beth Ferguson, UC Davis assistant professor of design, who will discuss "The Electric Driver Solar Kiosk"; Petr Janata, professor, UC Davis Department of Psychology and Center for Mind and Brain, who will cover "Musical Neurobiographies"; and Michael Arcega, assistant professor, San Francisco State University Department of Art, whose topic is "WORDSWORDS."
Janata, in his research on how the human brain engages with music, has examined expectation, imagery, sensorimotor coupling, memory, and emotion in relation to tonality, rhythm, and timbre. His work also emphasizes the use of models of musical structure to analyze behavioral and brain data. "I am particularly interested in musical situations that elicit strong emotional experiences, such as music-evoked remembering or being in the groove," he says. Janata, who holds a doctorate from the University of Oregon, received a Fulbright Fellowship in 2010 to do research in Prague, and in the same year, he received a Guggenheim Fellowship to further his investigations of what music-evoked autobiographical memories can tell us about the functional organization of the human brain.
Arcega is an interdisciplinary artist working primarily in sculpture and installation. His research-based work revolves around language and sociopolitical dynamics. His subject matter, embedded with historic narratives, material significance, and geography, deals with circumstances where power relations are unbalanced. A naturalized American, he says he "investigates cultural markers that are embedded in objects, food, architecture, visual lexicons, and vernacular languages." His work has been exhibited at the Asian Art Museum, Museum of Contemporary Art in San Diego, the de Young Museum in San Francisco, Yerba Buena Center for the Arts, the Orange County Museum of Art, The Contemporary Museum in Honolulu, the Museum of Fine Arts in Houston, Cue Arts Foundation, and the Asia Society in New York, among others.
Although the LASER event is open to the public, reservations are encouraged at http://ucdlaser04.eventbrite.com. The Facebook page is at https://www.facebook.com/laser.ucd
LASER is sponsored by the Humanities, Art and Cultural Studies, College of Letters and Sciences; the UC Davis College of Agricultural and Environmental Sciences and LASER/ISAST (The International Society for the Arts, Sciences and Technology). Entomologist/artist Diane Ullman, UC Davis professor of entomology, is a co-founder and co-director of the UC Davis Art/Science Fusion Program, which spearheaded the formation of LASER events at UC Davis.
Diane Ullman's Entomology 1 class has scheduled a Student Art Showcase of ceramics, glass and paintings at a public reception from 6 to 8 p.m., Thursday, June 8 in the UC Davis Environmental Horticulture Courtyard.
The event, celebrating the work of the students, is free and open to the public.
Diane Ullman is a professor of entomology, an artist, and the co-founder and co-director of UC Davis Art/Science Fusion Program. She is the former associate dean for undergraduate academic programs, College of Agricultural and Environmental Sciences.
Ullman received the Entomological Society of America's Distinguished Teaching Award in 2014.
- Bio-micrometeorologist Ian Faloona, associate professor in the Department of Land, Water and Air Resources, who will speak on “The Universality of Our Fluid Motions: An Experiment in Geophysical Dance”
- Artist Chris Fraser of San Francisco, whose topic is “The Tethered Image”and
- Visual artist/filmmaker Alison O'Daniel of Los Angeles, who will discuss “Quasi-Closed Captions: The Tuba Thieves.”
The event, free and open to the public, takes place from 5:30 to 7 p.m. in Room 115 of the Music Building. A reception begins at 5:30, with the speaker presentations booked at 6 p.m., followed by conversations and rapid fire sharing at 6:45. Reservations are recommended; see ucdlaser03.eventbrite.com.
The LASER events engage the public as participants in conversations with artists, designers, scientists and technologies making significant contributions to their fields, according to coordinators Jiayi Young, assistant professor, Department of Design; and Diane Ullman, professor of entomology, UC Davis Department of Entomology and Nematology.
Faloona, who holds a doctorate in meteorology from Pennsylvania State University, studied physical chemistry at UC Santa Cruz and conducted research in computational chemistry at Los Alamos National Lab before earning his doctorate. He served as a postdoctoral researcher in the Advanced Study Program at the National Center for Atmospheric Research before joining the UC Davis faculty.
Alison O'Daniel works across film, sculpture, performance and music, inviting audiences and collaborators "to navigate, de-construct and re-imagine sound." Her current film, “The Tuba Thieves,” is comprised of narrative film, performance and sculptures based on commissioned musical scores made in response to an epidemic of tuba thefts occurring in Los Angeles high schools. Her solo exhibitions have included Art In General, New York, and Samuel Freeman Gallery, Los Angeles. Among publications showcasing her work: The New York Times, Artforum, Los Angeles Times, and ArtReview. O'Daniel received her bachelor's degree in fibers and material studies from the Cleveland Institute of Art; a post-graduate diploma, fine arts, from Goldsmiths College, University of London; and her master's degree in studio art from UC Irvine.
Chris Fraser, who teaches photography at Mills College, Oakland, is an artist who makes perceptual apparatuses and environments modeled on historic image-making technologies. To Fraser, photographs are unbound by the time and place of their origin and able to meet anyone, anywhere at anytime. “Although much is gained through this freedom, distance is placed between the objects of the world and the images we make of them,” Fraser says. Through his work with apparatuses such as the camera obscura, Fraser says he puts “objects and their images back in dialogue with each other, sacrificing broad distribution for an experience of image that is local and ephemeral.” He will focus his talk on the relationship between objects and images, and how images are regarded when they are physically tethered in space and time to their object and the shifts that occur when the two drift apart. His talk will be accompanied by a live demo in a dark theatre.
The LASER events at UC Davis were launched by the UC Davis Art/Science Fusion Program, co-founded and co-directed by entomologist/artist Diane Ullman of the UC Davis Department of Entomology and Nematology, and self-described "rock artist" Donna Billick of UC Davis. Artist/plant scientist Anna Davidson of the UC Davis Art/Science Fusion Program recently moderated and coordinated the LASER events.