- Author: Kathy Keatley Garvey
Professor Diane Ullman of the UC Davis Department of Entomology and Nematology will speak on “Winds of Change: Bridging Art and Science” at a seminar hosted by the UC Davis Wildlife, Fish and Conservation Biology on Wednesday, April 25 in Meyer Hall.
The seminar will take place from 3:45 to 5 p.m. in the Foster Room, Room 1138.
Ullman, co-founder and co-director of the UC Davis Art/Science Fusion Program, will describe the building blocks, innovations and outcomes of the program that she and nationally known ceramicist Donna Billick of Davis formed in 2006.
Ullman and Billick created the art/science fusion concept in 1997 with an undergraduate course, “Art, Science and the World of Insects,” that became the centerpiece and inspiration for the UC Davis Art/Science Fusion Program.
Since then, the program “has been a hot bed of innovation, bridging art and science with diverse undergraduate courses, exhibitions, performances and colloquia with collaboration among design faculty, science faculty, museum educators, professors artists and UC Davis students,” Ullman related.
Ullman, both a noted entomologist and artist, will relate how the program was developed, why the connections between art and science can be transformational to teaching in both formal and informal settings, and how community inspirations and educational infrastructure are needed to succeed. “As the winds of change moved across the landscape, bridges between visual and performing arts, design, science and technology were built and programs around this concept have arisen worldwide,” Ullman noted.
The settings and circumstances growing from this intellectual borderland yielded many unexpected outcomes that Ullman will share in her presentation.
One of the their most noted works is Nature's Gallery, a mosaic mural in the Ruth Storer Gardens, UC Davis Arboretum, off Garrod Drive. Handcrafted by UC Davis staff, faculty and community members, under the umbrella of the UC Davis Art/Science Fusion Program, it features interlocking tiles showing the diversity of plants and insects in California. The 140 ceramic tiles depict plants and insects. The mosaic mural drew more than 300,000 visitors when it was displayed in the summer of 2007 in the U.S. Botanic Garden on the Capitol Mall, Washington, D.C.
Ullman, who holds a bachelor's degree in horticulture from the University of Arizona, Tucson, and a doctorate in entomology from UC Davis, joined the UC Davis entomology faculty in 1991, after serving on the faculty of the University of Hawaii.
She chaired the UC Davis Department of Entomology from 2004 to 2005, and then served as associate dean for undergraduate academic programs, UC Davis College of Agricultural and Environmental Sciences, from 2005 to 2014.
Ullman focuses her research on insect/virus/plant interactions and the development of management strategies for insect-transmitted plant pathogens. She teaches undergraduate and graduate courses in entomology and the Science and Society Program.
A fellow of the American Association for the Advancement of Science and the Entomological Society of America, Ullman received the 2014 Excellence in Teaching Award from the Entomological Society of America and the UC Davis Chancellor's Achievement Award for Diversity and Community in 2007.
- Author: Kathy Keatley Garvey
The entry deadline is 5 p.m., Dec. 15, announced entomologist-artist Diane Ullman, UC Davis professor of entomology and co-founder and co-director of the UC Davis Art/Science Fusion Program. Artists selected will show their work in the Pence Gallery from Jan. 26-March 2.
The goals of the exhibition are three-fold: to show creative work that explores the intersection between art and science; to foster communication between the arts and sciences, and to spark new ways of viewing the world and ourselves, according to Ullman and Pence Gallery director Natalie Nelson. The organizers encourage "creative work that transcends pure scientific illustration to explore the conceptional realm where art and science both reside."
All artists and scientists, regardless of residence, can exhibit up to three works. This refers to original 2D and 3D work in any medium, related to the intersection between art and science. It encompasses photography, drawing, textiles, painting, sculpture, video and mixed media. Dimension restriction is at the discretion of the jurors.
Artists will upload their submissions online at http://www.pencegallery.org. A vital part of the submission is the artist's statement--not to exceed 100 words--which should clearly explain how the work relates to the art/science connection. The statement may be displayed with the accepted work. Work must be available for the entire run of the exhibit.
To enter, access http://www.pencegallery.org and click on "Call to Artists" to apply directly to the site. Entry fees are $35 and $40, respectively, for Pence and non-Pence members. Fees will be used for expenses and awards related to the exhibition. No hand-delivered art work will be accepted. Accepted work may be hand-delivered or shipped and insured by the artist to the Pence Gallery, 212 D St., Davis, CA 95616.
Jurors are Jiayi Young, a UC Davis assistant professor of design, and Helen Donis-Keller, Ph.D., the Michael E. Moody Professor of Biology and Art at Olin College of Engineering, Needham, Mass. Both Young and Keller have exhibited nationally and internationally, fusing art with science.
Young holds a master's degree in fine arts (multimedia and painting) from Washington State University, Pullman, Wash.; a master of science in atomic physics from Kansas State University, Manhattan; and a bachelor's degree in fine arts and physics, Lawrence University, Appleton, Wisc. She works in the field of digital media with an emphasis on the cross-disciplinary areas of design, integrating art and science with cutting edge technology.
Keller who integrates the fields of art and biology, holds a master of fine arts in Studio Art from the Museum of Fine Arts in Boston and Tufts University, and a doctorate in biochemistry and molecular biology from Harvard University.
The Consilience exhibit will be displayed in the Pence's Main Gallery's glass tower lit space, measuring 1000 square feet with 12-foot ceilings. The Pence, established in 1975, is a non-profit art gallery. Its mission is to educate and inspire the community by exhibiting high caliber art by local and regional artists, according to director Natalie Nelson.
The calendar:
Dec. 15: Entry deadline online by 5 p.m.
Dec. 28: Notification via email
Jan. 19-20: Drop off between 11:30 a.m. and 4 p.m., or deadline for shipping arrival
Jan. 26-March 2: Exhibit dates
Feb. 9: Reception from 6 to 9 p.m.,with awards ceremony at 8
March 3-4: Pick up work, 12 to 4:30 p.m.
Sales are encouraged. The Pence Gallery will retain a 50 percent commission on work displayed at the exhibit.
For more information on the exhibit, contact Nelson at (530)-758-3370 or penceartdirector@sbcglobal.net
- Author: Kathy Keatley Garvey
Why is there a gap between computational and artistic models of movement?
How does vegetation respond to microclimate?
When science and medicine change, how does that affect us?
Those are some of the topics to be explored Monday, June 2 at the Leonardo Art Science Evening Rendezvous (LASER) event, part of the UC Davis Art/Science Fusion Program.
The event, free and open to the public, takes place from 6:30 to 9:30 p.m. in Room 3001 of the Plant and Environmental Sciences Building, UC Davis campus.
The event begins with socializing and networking from 6:30 to 7 p.m. A break is planned from 7:15 to 8:10 p.m. to allow the audience to share their work intersecting art and science (30 seconds each), said moderator/coordinator Anna Davidson, a Ph.D. candidate in the UC Davis Department of Plant Sciences and a teacher with the UC Davis Art Science Fusion Program.
The speaker schedule:
- Gene Felice, graduate student, at the University of California Santa Cruz, will speak on "Justice in a More Human World" from 7 to 7:25.
- Michael Neff, associate professor in Computer Science and Cinema and Technocultural Studies at UC Davis, will speak on "The Gap Between Computational and Artistic Models of Movement"
- Danielle Svehla Christianson of the Berkeley Center for New Media, will discuss "The Gap Between: Computational and Artistic Models of Movement, “A Digital Forest: 01100110 01101111 01110010 01100101 01110011 01110100” from 8:10 to 8:35 p.m.
- Joe Dumit, director of Science and Technology Studies and professor of anthropology at UC Davis, will speak on "Haptic Creativity: Seeing, Scaling and Storymaking with the KeckCAVES" from 8:35 to 9 p.m.
Gene Felice, a graduate student at UC Santa Cruz, is enrolled in the DANM (Digital Arts and New Media) program and is currently working with OpenLab and the Mechatonics Research Group to develop his project Oceanic Scales. He divides his research between art, design and education. He says this split allows him to develop balance between interactive art, living systems, and the latest available technology for new media. Felice maintains a hybrid practice at the intersection of nature and technology,developing symbiotically creative systems as arts/science research.
About his talk, Felice says: "We, as humans, are enmeshed in multiple and complex interactions within the more-than-human world." He and colleagues Sophia Magnone and Andy Murray, as individuals, "find problematic the ways in which these relationships are so often exploitative or taken for granted. In our independent work, we each address from a different perspective the ways in which humans and nonhumans are intertwined: Sophia inquires into the worlds of animals, cyborgs, objects, and other nonhumans in speculative fiction, tracing unexpected forms of agency, liveliness, and interaction. Gene explores the relationships between living systems and contemporary technology in an attempt to find balance and grace through interactions of art, science and education. Andy focuses on bioengineering, the creation of new complex collaborative relationships, and the effective discard of others. We have come together to merge our work around these topics and produce a shared set of provocative questions. We hope to use these questions as a jumping-off point for an event that will engage a broader community and generate awareness, reflexivity, and affinity."
The UC Davis Art Science Fusion Program was co-founded and is co-directed by two people: UC Davis entomologist/artist Diane Ullman, professor and former chair of the UC Davis Department of Entomology and Nematology, and a former associate dean with the UC Davis College of Agricultural and Environmental Sciences, and self-described "rock artist Donna Billick of UC Davis.
Ullman and Billick began teaching classes in the mid-1990s that led to the formation of the Art/Science Fusion Program. The program today includes design faculty, science faculty, museum educators, professional artists and UC Davis students. “Participants see and feel art and science, hold it in their hands, hearts and memories—in ceramics, painting, photographs, music, and textiles,” Ullman said.
The program, developed initially in the Department of Entomology and Nematology, is "an innovative teaching program that crosses college boundaries and uses experiental learning to enhance scientific literary for students from all disciplines," Ullman said. The program promotes environmental literacy with three undergraduate courses, a robust community outreach program, and sponsorship of the Leonardo Art Science Evening Rendezvous (LASERs).
For more information:
- UC Davis Art/Science Fusion Program
- Leonardo Art Science Evening Rendezvous (LASER)
- Upcoming Programs, LASER
- Plant and Environmental Sciences Building (map)
Contact information: Anna Davidson, adavidson@ucdavis.edu.
- Author: Kathy Keatley Garvey
That's the theme of the June 6th public reception celebrating the work of Entomology 1 students and the accomplishments of Donna Billick, co-founder and co-director of the UC Davis Art/Science Fusion Program. The event will take place from 6 to 10 p.m. June 6 in the Third Space, 946 Olive Drive, Davis.
It is free and open to the public.
Billick, a self-described "rock artist," co-founded the program with entomologist/artist Diane Ullman, professor and former chair of the UC Davis Department of Entomology (now Entomology and Nematology), and former associate dean for Undergraduate Academic Programs, UC Davis College of Agricultural and Environmental Sciences.
Ullman and Billick began teaching classes in the mid-1990s that led to the formation of the Art/Science Fusion Program. The program today includes design faculty, science faculty, museum educators, professional artists and UC Davis students. “Participants see and feel art and science, hold it in their hands, hearts and memories—in ceramics, painting, photographs, music, and textiles,” Ullman said.
The program, developed initially in the Department of Entomology and Nematology, is described as "an innovative teaching program that crosses college boundaries and uses experiental learning to enhance scientific literary for students from all disciplines." The program promotes environmental literacy with three undergraduate courses, a robust community outreach program, and sponsorship of the Leonardo Art Science Evening Rendezvous (LASERs).
Another project that draws much attention and acclaim is the Ent 1 art in the Häagen-Dazs Honey Bee Haven, a half-acre bee garden on Bee Biology Road, west of the central campus.
Billick created “Miss Bee Haven,” a six-foot-long honey bee sculpture that anchors the garden. "I like to play with words,” said Billick.
She also is the artist behind the colorful Harry H. Laidlaw Jr. Honey Bee Research Facility's ceramic sign that features DNA symbols and almond blossoms. A hole drilled in the sign leads to a bee hive.
Billick toyed with a scientific career before opting for a career that fuses art with science. She received her bachelor of science degree in genetics in 1973 and her master's degree in fine arts in 1977, studying art with such masters as Bob Arneson, Roy De Forest, Wayne Thiebaud and Manuel Neri.
Billick traces her interest in an art career to the mid-1970s when then Gov. Jerry Brown supported the arts and offered the necessary resources to encourage the growth of art. He reorganized the California Arts Council, boosting its funding by 1300 percent.
Also in Davis, Billick created the whimsical Dancing Pigs sculpture and the Cow Fountain, both in the Marketplace Shopping Center on Russell Boulevard; the Mediation sculpture at Central Park Gardens; and the Frawns for Life near the West Area Pond.
She maintains a compound in Baja, where she teaches three workshops a year called "Heaven on Earth." She has won numerous awards for her work.
For outstanding teaching, Diane Ullman was recently selected the recipient of the 2014 Distinguished Award in Teaching from the Pacific Branch, Entomological Society of America. She is now one of six candidates for the ESA Distinguished Teaching Award. ESA will select the recipient from one of six branches—Pacific, Eastern, North Central, Southeastern, Southwestern and International—and present the award at its Nov. 16-19 meeting in Portland, Ore.
- Author: Kathy Keatley Garvey
The event, free and open to the public, will take place from 6:30 to 9 p.m. It will be moderated by Anna Davidson, a Ph.D. candidate in the Department of Plant Sciences who is studying plant physiology. She has organized and moderated all the LASER events on the UC Davis campus.
The April 7th schedule includes:
6:30-7: Socializing/networking
7-7:25: Christina Cogdell, UC Davis associate professor of design, specializing in history, theory and criticism, will speak on “Growing Living Buildings.”
7:25-7:50: Jesse Drew, UC Davis associate professor of cinema and technocultural studies, will discuss “Who Owns Creativity? Collective Wisdom and Media Innovation”
7:50-8:10 Break. (During the break audience members currently working within the intersections of art and science will have 30 seconds to share their work (a teaser/commercial)
8:10-8:35: Piero Scaruffi, a Bay Area-based cognitive artist, will cover “A Brief History of Creativity from Cheops Pyramid to Silicon Valley: 500 Years of Art Science Misunderstandings.”
8:35-9 p.m.: Wendy Kuhn Silk, UC Davis professor emeritus and art/scientist in the Department of Land, Air, and Water Science, will speak on “Singing about Science.”
The UC Davis Art/Science Fusion Program is co-directed by the founders Diane Ullman and Donna Billick. Ullman is a longtime professor of entomology at UC Davis and associate dean for undergraduate academic programs in the College of Agricultural and Environmental Sciences. Billick, a self-described rock artist, is also science-based: she has a bachelor's degree in genetics as well as a her master's degree in fine arts from UC Davis.
More on the Speakers
Christina Cogdell, associate professor of design, specializing in history, theory and criticism, and a Chancellor's Fellow at UC Davis, is the author of Eugenic Design: Streamlining America in the 1930s (2004), winner of the 2006 Edelstein Prize for outstanding book on the history of technology, and is co-editor of the anthology Popular Eugenics: National Efficiency and American Mass Culture in the 1930s (2006). Her work is included in the anthologies The Politics of Parametricism (forthcoming), Keywords in Disability Studies(forthcoming), Visual Culture and Evolution, I Have Seen the Future - Norman Bel Geddes Designs America, and Art, Sex, and Eugenics, and published in the journals American Art, Boom: A Journal of California, Design and Culture, Volume, Design Issues and American Quarterly.
Over the last few years, Cogdell has been researching her current book project on generative architecture and design in relation to recent scientific theories of self-organization and emergence, development and evolution, and complex adaptive systems. She has received research fellowships from the Mellon Foundation (New Directions Fellowship), the American Council of Learned Societies (Ryskamp Fellowship), the Canadian Centre for Architecture in Montreal, and the Penn Humanities Forum at the University of Pennsylvania. At UC Davis, she teaches interdisciplinary classes in design history/theory/criticism, art history, cultural studies, and American studies. She previously taught at the University of Pennsylvania, College of Santa Fe, and California State University, Fullerton. Cogdell holds a doctorate in art history from the University of Texas at Austin (2001), a master's degree in American studies from the University of Notre Dame (1994), and a bachelor's degree in American studies from the University of Texas at Austin (1991).
Jesse Drew, associate professor of cinema and technocultural studies at UC Davis, teaches media archaeology, radio production, documentary studies, electronics for artists, and community media. He researches and practices alternative and community media and their impact on democratic societies, with a particular emphasis on the global working class. His audio-visual work, represented by Video Data Bank, has been exhibited at festivals and in galleries internationally, including ZKM (Germany), Yerba Buena Center for the Arts (SF), Museum of Contemporary Arts (Chicago), Barcelona Cultural Center (Spain), World Wide Video Festival (Amsterdam), Dallas Film and Video Festival. Open Country is his current film project, a feature documentary on the politics of American Country music. His writings have appeared in numerous publications, journals and anthologies, including Resisting the Virtual Life (City Lights Press), Reclaiming San Francisco: History, Politics, Culture (City Lights Press), At a Distance (MIT Press), Collectivism After Modernism (University of Minnesota), West of Eden (PM Press). His new book is A Social History of Contemporary Democratic Media (Routledge). Before joining the UC Davis faculty, he headed the Center for Digital Media and was associate dean at the San Francisco Art Institute.
Piero Scaruffi is a Bay Area-based cognitive scientist who has lectured in three continents, has published several books on artificial intelligence and cognitive science, the latest one being "The Nature of Consciousness" (2006). He pioneered internet applications in the early 1980s and the use of the worldwide web for cultural purposes in the mid 1990s. His poetry has won several national prizes in Italy and the United States. Scaruffi's latest book of poems and meditations is "Synthesis" (2009). As a music historian, he has published 10 books, the most recent: "A History of Rock and Dance Music" (2009), "A History of Jazz Music" (2007) and "A History of Silicon Valley" (2011). The first volume of his free ebook "A Visual History of the Visual Arts" appeared in 2012. He is also the author of "Demystifying Machine Intelligence" (2013) and has written extensively about cinema and literature.
Wendy Kuhn Silk, UC Davis professor emeritus and art/scientist in the Department of Land, Air, and Water Science works on plant-environment interactions, writes songs, and performs with several local bands. In her early work she introduced concepts and numerical methods from fluid dynamics to the analysis of plant development, a field now known as the kinematics of plant growth. Silk's current projects include several collaborations on problems of soil health. To understand the root-soil interactions, she imagines sitting on the growing root tip and hopping off onto neighboring soil particles.
She teaches the course “Earth Water Science Song,” in which students hear lectures in environmental science and write, discuss and perform songs to communicate their understanding of natural history and scientific concepts.
LASER organizer and moderator Anna Davidson, makes bioart using fungus and other living materials as media. As a teacher for the UC Davis Art/cience Fusion Program, she leads the found object and sculpture studio section of the class, "Entomology 1, Art, Science, and the World of Insects." She specializes in curriculum development and teaching at the intersection of biology and the arts.