(Editor's Note: Forest entomologist Malcolm Furniss of Moscow, Idaho, researched the life of noted scientific illustrator Mary Foley Benson, 1905-1992. In her later years, she served as an illustrator for the UC Davis Department of Entomology.)
By Malcolm M. Furniss
Moscow, Idaho
MalFurniss@turbonet.com
My introduction to the work of scientific illustrator Mary Foley Benson (1905–1992) was happenstance. I am a forest entomologist, engaged for many years in research on bark beetles and associated organisms, including parasitoid Hymenoptera. Since 1963, I have resided in Moscow, Idaho, and have had ties with the former Bureau of Entomology laboratory at Coeur d'Alene, 90 miles to the north. There, Donald De Leon had studied Coeloides dendroctoni Cushman, a braconid preying on larvae of a scolytine, Dendroctonus ponderosae Hopkins, in western white pine. While reading his publication on the braconid's biology, I admired the drawing of a female wasp credited to Mary Foley (Fig. 1). A colleague noted my curiosity about this artist and called my attention to a photo of her in 1926 at age 21 (Fig. 2), when she was employed as a scientific illustrator with USDA. Subsequent inquiry led to discovering Mary's connections to entomology, including close acquaintance of the renowned Smithsonian Diptera taxonomist, John Merton Aldrich (1866–1934) (Fig. 3). I share here an account of Mary's life, concluding with her finding fulfillment and support in the community of Davis, Calif.
Mary Carilla Foley was born on April 2, 1905 at Storm Lake, Buena Vista County, Iowa, to Guy William Foley and Cora Helen Walrod. She had a brother, Charles, who had a flying service at Roosevelt Field, Long Island, and who had a pivotal role in her early adult life. Mary's inherent artistic talent became apparent while in first grade when her drawing of a puppy drew praise from her teacher (Wellings 1992). From then on, Mary made art her life and never forgot that teacher's encouragement.
At age 17, she left her Midwest roots to live with close family friends, John Aldrich and his wife, Della, in Washington, DC. Her intent was to go to art school—until then, she had been largely self-taught—but first, she had to earn tuition money. “Uncle Merton,” as she fondly referred to Aldrich, got her a job as an entomological draftsman with the USDA Bureau of Entomology. She learned quickly and eventually became Chief Scientific Illustrator. In evenings, she took art classes, graduating from the National School of Fine and Applied Arts and later attended the Corcoran School of Art. The closeness of Mary and Aldrich was like father and daughter. The tragic loss of his young son (Furniss 2010) may have affected his feelings for Mary, who would not have been much older.
Road Trip West with John and Della Aldrich, 1927
Mary and the Aldriches departed Washington on May 29, 1927 (nine days after Lindberg's Atlantic flight) in their Chevrolet (Fig. 4) coach loaded down with camping gear and headed across the continent on an adventure of their own. Aldrich kept a meticulous, detailed diary. A typed copy was discovered at the University of Idaho, Department of Entomology after his death and published by Paul Arnaud Jr. (Aldrich 2001). References to Mary appear throughout the diary and provide rare personal recollections of her. Her relatives and her closest friend, Margaret Hoyt, had passed away prior to my interest in her biography.
Driving was shared; however, it became apparent that Mary liked to drive and John often complimented her skill, so she drove the most. Two days into the trip, Aldrich noted: “Mary made fast time, keeping around 45.” Mary had little opportunity to paint until they reached the Rocky Mountains and a place named Wagon Tongue where Aldrich began collecting flies. Here she made water color paintings of a flower (Doedecatheon) and others not identified. Later, near Wells, Nevada, John packed up two Schmitt boxes pinned so far on the trip and mailed them with several small boxes of unmounted flies to Washington: “… some thousands of Diptera to be worked over later at home. Some good things there, I know.”
Eventually, they reached California and entered Yosemite National Park via Tioga Pass on July 4, having to drive over a patch of remnant snow. Nearing Bridal Veil, they came to a bear beside the road being fed by others. Mary stepped forward to get in a photo, but the bear was in the shade. Aldrich asked her to move the bear into the sun. As she came close to him, he gave her a bite above the knee; however, it only roughened the skin. Afterward, they made light of the episode.
Mary departed at Portland by train to return to her job. As John and Della drove up the scenic Columbia River highway heading for Moscow, they reminisced about her and missed having her company; they wished that she could be there at every turn. After thousands of miles cramped together, she had, indeed, become family!
John Aldrich had met and married Della Smith in Moscow after the untimely death of his first wife, Ellen Roe, and infant son, Spencer. The Aldriches were in Moscow from July 19 to Aug. 4, 1927, visiting Della's relatives and some of his acquaintances from his time at the University of Idaho, 1893–1913. On Sept. 2, the travelers reached home after being gone since 29 May. Aldrich died seven years later while completing plans to start early in June on another of his biennial collecting trips to the Pacific Coast. He was buried beside Ellen and son Spencer in the cemetery at Moscow.
Aviatrix Years
Mary's job at the Bureau of Entomology included painting insect-damaged crop plants such as appeared in the 1952 Yearbook of Agriculture (USDA 1952). Perhaps to break the boredom, she painted a parade of striped cucumber beetles across the office wall. Her boss was not amused (Wellings 1992). That phase of her life changed with marriage to Russell Benson, a patent lawyer and engineer with the US Patent Office, in 1928 and birth of a son, John, in 1931. In a Washington Post interview (Lewis 1937), she seemed to be living a normal life of a woman of the time “… keeping a home for her husband and small son, doing most of the cooking and making most of her own clothes.” They had designed their house in Georgian Colonial style with a studio for her painting. During the previous summer, she had laid a flagstone terrace while Russell built an outdoor fireplace. However, their relationship was less tranquil than it was portrayed.
Four years after her marriage, Mary had been given her first airplane ride by her brother, Charles, who had charge of one of the hangars at Roosevelt Field, Long Island (from where Lindberg had taken off on his Atlantic flight in 1927). That experience led to her taking flying lessons at the College Park, MD airport two or three times per week until receiving her pilot's license. Interviewed in later years, she divulged that she had kept her flying lessons secret from Russell (Wellings 1992). The marriage had become stressful and she found flying to be a great outlet from her exacting art work and her difficulties at home: “When I was flying, I left all my trouble on the ground. There was nobody up there but God and me.”
When Mary soloed in 1937, Charles gave her a J-2 Cub (Fig. 5). Her spirited nature showed in her flying: “I used to have such fun with it. Before I would land, I would wind it up with three giant loops in a row before they told me not to [not designed for aerobatics] (Haag 1983).” Owning an airplane expanded her involvement with flying. She became active in aviation organizations, including membership in The Ninety-Nines, an international organization for licensed women pilots founded by Amelia Earhart. She also joined the Washington Air Derby Association and placed second in her first air race, at College Park in May 1939 (Lewis 1937).
As World War II loomed, Mary's marriage was ending. Her son was in boarding school, so she joined Charles at his aviation business at Roosevelt Field, studied radio and navigation, became a member of the Civil Air Patrol and began ferrying airplanes for the War Training Service (Wellings 1992). She did not speak of her ferrying experiences except for saying that townsfolk came to see the woman flier after she was forced to land in a farm pasture and was waiting for a new propeller. She enlisted in the Women's Army Corps on Sept. 9, 1943 and instructed navigation to bomber crews in an on-ground Link Celestial Navigation Trainer. She regretted that women pilots were not allowed then to teach in the air.
When war ended, Mary relocated to Los Angeles where she attended Otis College of Art and Design from 1948–1951. Her training included instruction from Norman Rockwell, who spent the winter months there as artist-in-residence: “He was a wonderful person, with a fine sense of humor, and a scientific illustrator as well as a historian” (Tracy 1977). Afterward, she was a free-lance illustrator at Benson Studios. However, she did not attract the attention of newspaper reporters the way she had at Washington.
Home at Last … Davis
A great change came in 1964, when she was hired by Howard McKenzie at the University of California, Davis, as an illustrator for his monumental book on mealybugs (McKenzie 1967). She must have impressed him with her renditions of clearwing moths in Bulletin 190 of the U.S. National Museum (Engelhardt 1946) (Fig. 6). That publication contains 167 of her watercolor paintings of adult male and female clearwing moths and 87 line drawings of their genitalia. The paintings are eye-catching. When my nephew, Sean Furniss, saw them among the Engelhardt holdings at the Smithsonian, he was impressed with how real they appeared. I marvel that anyone could capture such natural colors by mixing pigment and rendering such life-like images with a brush.
Mary painted and drew mealybug illustrations for Howard McKenzie until his death in 1968. His 526-page treatise of California species has interspersed among its pages 21 of her watercolor paintings of species in their plant habitats (Fig. 7). The book also includes many of her line drawings of microscope slides of holotype adult females, split longitudinally by dorsal and ventral views (Fig. 8). The drawings include minute detail only seen by microscope at high magnification. Mary had become skilled in microscopy and, although not formally trained in entomology, she had to have learned much technical detail about what she was asked to draw. After McKenzie died, Douglass Miller completed two joint manuscripts containing illustrations by Mary (Miller and McKenzie 1971, 1973). Earlier, she had illustrated mealybugs in the monograph on the genus Asterolecanium by Russell (1941).
Announcement of publication of McKenzie's book noted that it had been illustrated by Mary and included her pedigree dating to her employment with USDA Bureau of Entomology in Washington DC during 1922-1928 as Chief Scientific Illustrator. Her presence in the community had already become known by her participation in Chamber of Commerce events, teaching painting techniques through the Davis adult education program and scientific illustration through the University of California Cooperative Extension.
In the years after McKenzie's death, she contracted a painting project for Harry Lange to illustrate a book on insects infesting California crops. The idea was to show both the insect and its host plant in realistic fashion. However, when Mary portrayed the plant, the accompanying insect was at the same scale, much too little to suit entomologist Lange. His wife, Ellen Lange, recalls that, “A real problem with depicting insects and plants is the difference in size. Harry Lange used to have battles with Mary about the plants being too big, i.e., emphasis on the plants versus the insects.” They resolved the problem by superimposing a “magnifying glass” to enlarge the insect (Fig. 9). The proposed publication never materialized; her 55 paintings are stored in the Bohart Museum of Entomology at Davis. In looking back, such paintings (and to some extent, drawings) were being replaced by digital photography and scanning electron microscopy.
Having retired from the Department of Entomology work, Mary (Fig. 10) said: “For the first time in my life, I can paint what I feel like painting most. I have always wanted to paint wildflowers, especially California wildflowers.” (Barr, 1992). She set about doing just that and put her paintings on display for sale at public places, gradually developing a devoted following. “This is the greatest place in the world for me. I get such support from the people of Davis. They hang my work all over town.” (Haag 1983).
An event in 1983 crowned her rise to prominence beyond the Davis community. At the Smithsonian's invitation, 45 of her paintings were displayed there during May-June, entitled, “Paintings of California Flora.” In her letter of Nov. 20, 1982 to Officer of Exhibits, William Haase, she listed the paintings, some of which included insects, that were to be sent and suggested the name California Flora for the exhibit. She singled out two of the paintings that merited special attention: “The Golden Lupine (Fig. 11) which grows around Davis, along the railroad track. It is almost extinct in the wild. There is some talk of making it the Davis city flower.” (She subsequently donated the original watercolor painting to the city.) And, “The second painting is the California poppy and wild oats. I had hoped to give it to our First Lady, Nancy Reagan, but could not decide just how to go about it. It seemed appropriate since the poppy is our state flower.” The letter concluded with a question regarding who should print the brochure for the show and that the paintings would be shipped by truck. She requested that, after the show, they should be sent to her residence at 1408 Claremont Drive, Davis. No one whom I contacted knew of the fate of these paintings. However, she evidently had prints made of some for sale. I noted one of her paintings being resold by Valley Auction on the Internet; it was number 123 of 500, entitled, “Indian Paint Brush and Fiddleback,” gathered from a vacant lot near her home. It portrays her eloquent, simplistic style that is so appealing to me.
Her dream of a Smithsonian exhibit having come true was timely. Her eyesight began failing soon after. She kept on painting but results were more abstract. During those challenging final years, she kept a positive outlook. As recalled in her obituary (Barr 1982) she said, “Life is like a stream; if you reach a stone you go around it. So now, I'm moving on after the stone.” Mary died at Davis on 18 June 1992 at age 87.
Acknowledgments
Sandra Kegley, Coeur d'Alene, ID, provided Fig. 2, which identified Mary and thereby initiated my interest in pursuing this article. Sean and Martha Furniss, Reston, VA, provided newspaper articles and searched the Smithsonian archives for information about Mary. Ellen Lange, Davis, CA, provided personal recollections of Mary and of her paintings for Harry Lange. Lynn Kimsey, Bohart Museum of Entomology, University of California, Davis, provided obituaries of Mary and a listing of Mary's paintings stored there. Amy Thompson, Special Collections and Archives Library, University of Idaho, provided the photo of Aldrich. Luc Leblanc, W.F. Barr Entomological Museum, University of Idaho, loaned references concerning Aldrich and Mary from the museum library. The manuscript was reviewed by Sandra Kegley, Ellen Lange, Linwood Laughy, and Douglass R. Miller, Systematic Entomology Laboratory, USDA, Beltsville, MD.
Literature Cited
Aldrich, J. M. 2001. Diary of a Western Trip, 1927. Myia - A publication on entomology 6:235-301. California Academy of Sciences.
Barr, P. 1992. Prominent Davis Artist Dies. Davis Enterprise. June 22.
De Leon, D. 1934. The Morphology of Coeloides dendroctoni Cushman (Hymenoptera: Braconidae). Journal New York Entomological Society. XLII: 297-317.
Engelhardt, G. P. 1946. The North American Clear-Wing Moths of the Family Aegeriidae. Bulletin 90. U. S. National Museum. 222 pp.
Furniss, M. M. 2010. John Merton Aldrich (1866-1934) – A Forest Entomologist's View of Idaho's Renowned Fly Taxonomist. Latah Legacy 38:18-23.
Haag, J. 1983. A Californian's Floral Fantasy. The Sacramento Bee. July 24.
Lewis, R. 1937. Vocation and Avocation Combined by D. C. Artist. The Washington Post. October 17.
McKenzie, H. L. 1967. Mealybugs of California with Taxonomy, Biology and Control of North American Species (Homoptera: Coccoidea: Pseudococcidae). University of California Press, Berkeley. 525 pp.
Miller D. R., and H. L. McKenzie. 1971. Sixth Taxonomic Study of North American Mealybugs with Additional Species from South America. Hilgardia. 40:565-602.
Miller, D. R., and H. L. McKenzie, 1973. Seventh Taxonomic Study of North American Mealybugs (Homoptera: Coccoidea: Pseudococcidae). Hilgardia 41: 489-542.
Russell, L. M. 1941. A Classification of the Scale Insect Genus Asterolecanium. U.S. Department of Agriculture, Miscellaneous Publications 424: 1-319
Tracy R. L. 1977. Mary Foley Benson. Her Wildflower Paintings Are “Expression of Gratitude” The Sacramento Bee. August 20, 1977.
USDA 1952. The Yearbook of Agriculture. U.S. Government Printing Office.
Wellings, M. 1992. Davis Has Lost a Free Spirit. The Davis Enterprise. June 23.
- Author: Kathy Keatley Garvey
The seminar will take place in 122 Briggs Hall. The Zoom link is https://ucdavis.zoom.us/j/99515291076.
BosWash Megalopolis is the heavily populated area extending from Boston to Washington and including New York City, Philadelphia, and Baltimore.
"The temperate deciduous forest biome covers about 5 percent of the Earth's surface, but is home to 25 percent of the human population," D'Amico says in his abstract. "Once a huge tract of forested land, this area now consists of many thousands of small, heterogenous forests. Research in the FRAME (FoRests Among Managed Ecosystems) program is conducted over a network of permanent forest sites in the BosWash Megalopolis of the U.S. East Coast, to answer ecological questions at many trophic levels. I will discuss the results of some of this research."
FRAME researchers target temperate deciduous forests in the Anthropocene age, a current geological age viewed as the period during which human activity has been the dominant influence on climate and the environment.
From the website: "Our current work includes experimental and observational studies of soil and key species to understand interactions between plants, invertebrates, and vertebrates. Other research is focused on monitoring, manipulations aimed directly at site improvement, and technology transfer for better management of urban forest fragments. As of 2022, there are 60 FRAME sites in MA, PA, DE, MD and NC."
Among D'Amico's publications:
- Conceptualizing social-ecological drivers of change in urban forest patches, published in August 2021 in Urban Ecosytems
- Local landscapes and microhabitat characteristics are important determinants of urban–suburban forest bee communities, published in October 2019 in Ecosphere
- Lawn mowing frequency in suburban areas has no detectable effect on Borrelia spp. vector Ixodes scapularis (Acari: Ixodidae), published in April 2019 in PLOS-ONE
- Urban forest fragments buffer trees from warming and pests, published in March 2019 in Science of the Total Enfironment
A 25-year research entomologist with USDA, D'Amico joined in February, 1997. He has served on the adjunct faculty of the University of Delaware since 2001. His expertise includes ecosystems ecology, urban ecology an invasion ecology. D'Amico received his bachelor's degree in biology in 1989, and his doctorate from the University of Massachusetts, Amherst.
The Wednesday seminars are coordinated by nematologist Shahid Siddique, assistant professor, UC Davis Department of Entomology and Nematology. For technical issues, contact ssiddique@ucdavis.edu.
/span>- Author: Kathy Keatley Garvey
Gabriel Zilnik, a researcher at USDA's Agricultural Research Service, in Wapato, Wash. will be the UC Davis Department of Entomology and Nematology's next speaker.
Zilnik says the topic is of growing interest for biological researchers around the globe. "In this seminar I will attempt to demystify Artificial Intelligence and Machine Learning, assuage fears of a robot takeover, and demonstrate its utility in complex but semi-structured systems like North Carolina tobacco."
"While machine learning is based on the idea that machines should be able to learn and adapt through experience, AI refers to a broader idea where machines can execute tasks 'smartly.' Artificial Intelligence applies machine learning, deep learning and other techniques to solve actual problems.--SAS.
Zilnik holds a doctorate in entomology from North Carolina State University (2020), where he also received his master's degree in 2016. He received his bachelor's degree in anthropology from Arizona State University in 2012.
While at NCSU, he founded and hosted, Pints of Science, for two years, ending in April 2015. "I partnered with a colleague in the Department of Communication to develop an outreach program where we could provide a space for graduate students and academics to get out of their comfort zone and interact with the public," he writes on his Linked In site. "We helped our speakers develop their presentations and engage with the public in venues outside of the University."
Nematologist and plant pathologist Shahid Siddique, assistant professor, UC Davis Department of Entomology and Nematology, coordinates the department's seminars. For further information on the seminars, contact Siddique at ssiddique@ucdavis.edu.
- Author: Kathy Keatley Garvey
Five candidates will present seminars in Briggs Hall, UC Davis campus, for the two U.S. Department of Agriculture (USDA) honey bee positions open at the USDA facility, located on Bee Biology Road, next to the Harry H. Laidlaw Jr. Honey Bee Research Facility.
Paul Pratt, the selection committee chair, is the research leader for the Invasive Species and Pollinator Health Research Unit, Western Regional Research Center of the Agricultural Research Service, USDA, in Albany, Calif.
Seminars will be presented in 122 Briggs from 10 to 11 a.m. followed by a group faculty meeting (UC Davis Department of Entomology and Nematology) in Briggs 366 from 1:30-2:15 p.m.
The schedule:
Tuesday, Dec. 11:
Natalie Boyle: “Promoting Pollinator Health and Safety in Agroecosystems”
Wednesday, Dec. 12
Michael Smith: "How Does a Bee Detect her Colony's Size?”
Thursday, Dec. 13:
Julia Fine: "Inside the Brood Box: Using Novel Methods in the Study of Honey Bee Reproduction”
Friday, Dec. 14:
Arathi Seshadri: “The Role of Behavioral and Nutritional Factors in Honeybee Health”
Monday, Dec. 17:
Clint Otto: "From Landscapes to Flowers: Understanding Forage in America's Last Beekeeping Refuge”
- Author: Kathy Keatley Garvey
You could, but you wouldn't.
O'Donnell, a noted USDA thrips expert and educator with three degrees from the University of California, Davis, knows well those tiny insects that cause billions worth of damage annually to U.S. agricultural crops. She's studied thrips for 18 years and worked on thrips programs with the U.S. Department of Agriculture (USDA) for the last seven years.
Today O'Donnell continues to target thrips in her new position with the USDA. As of April 6, she is the National Thysanoptera Taxonomist with the National Identification Services (NIS) at the Systematic Entomology Laboratory (SEL) in Beltsville, MD.
Specifically, her position is with the National Identification Services (NIS) of the Plant Protection and Quarantine (PPQ) program of USDA's Animal and Plant Health Inspection Service (APHIS) or what USDA officials refer to as "APHIS PPQ NIS." The Thysanoptera collection of the Systematic Entomology Laboratory (SEL) is housed with USDA's Agricultural Research Service (ARS).
“I love my work,” she said, “and I love my favorite insect, thrips.”
"Cheryle is a tremendously talented biologist and she holds a real fascination for thrips, their classification, host relationships and biology," said former major professor Diane Ullman, professor in the UC Davis Department of Entomology and Nematology. "She will do a fantastic job in this position, which will be important to the global community studying thrips and trying to develop management strategies."
The Beltsville position, last held in 1999 by mentor Sueo Nakahara, will involve working for National Identification Services in the Agricultural Research Station and with the National Museum of Natural History Thysanoptera collection.
Thrips, barely visible to the naked eye, heavily damage fruits, vegetable and horticultural crops, so much so that they can—and do--pose a biosecurity threat. In 1996, Cuba's Fidel Castro accused the United States of aerially releasing Thrips palmi over potato fields.
“Of the more than 5000 species of thrips known in the world, some are serious pests, and some are beneficial as pollinators and predators,” O'Donnell said. “Some thrips transmit plant diseases, such as the tomato spotted wilt virus and the Impatients necrotic spot viruses.”
“To monitor agricultural crops effectively, it's important to be able to identify them, but it's difficult to do so without understanding thrips taxonomy and identification,” O'Donnell said. “Thrips are so small—one millimeter long or less--that they're like a speck. Inspectors see larvae, eggs and adults on plant material coming in. It's difficult to separate species at the life stage of eggs, larvae and adult males.”
O'Donnell recalled that her first position with USDA was as an area identifier of thrips. “It encompassed the identification of pests intercepted in cargo and baggage from origins around the world,” she said. “ My first assignment was at the Plant Inspection Station in Nogales, Ariz., one of the largest Mexican produce importing ports. I then transferred to Florida to the Miami Plant Inspection Station where the majority of cut flowers enter into the U.S. from Central and South America.“ She also saw temporary duty in Blaine, Wash., as an identifier and then transferred to the Plant Inspection Station in San Diego.
"In Miami, thrips larvae are intercepted regularly on cut flowers coming into the U.S. from south and Central America," O'Donnell said. "We did not have the tools to separate the quarantine significant thrips from those that are not of concern at the larval stage. My suspicion has been that there were a handful of thrips species of concern whereas the majority were not. The PPQ agency developed a pilot program to conduct molecular pilot program in Miami which may lead to a policy change in how we make quarantine decisions regarding the larvae intercepted. I have been the coordinator of this pilot program."
"There were several thrips species coming in from Mexico listed as quarantine significant that I knew to be found within the U.S. and those species have been removed from the quarantine status."
O'Donnell published “job aids” on the USDA website that include multilevel and gender identification, plus digital imaging. Over the last decade, she has organized and conducted thrips workshops, produced videos, and published research. She edited a monthly Pest Interception Report and co-edited the Looking Glass quarterly journal on activities at plant inspection stations. She also conducted outreach sessions at schools, universities and trade shows.
Learning about thrips came naturally. "I follow in the footsteps of my great uncles and my father," O'Donnell related. "My uncle, Richard Clemens, worked for CDFA at the port of Los Angeles and at the ferry building in San Francisco. My uncle, Michael Clemens, worked with CDFA in Smith River and Winterhaven, CA. Both were looking for agricultural pests of quarantine significance. Last year in San Diego when I was cleaning out some older documents at the plant inspection station, I found a request and a few letters (1940s) from my uncle Richard Clemens asking the area identifier in San Diego at the time for information on new pests he found in California. It's a small world!"
O'Donnell arrived at UC Davis in the mid-1990s as a single mom raising a young daughter. A former employee of an electronic manufacturing business, she enrolled at UC Davis to study ornamental horticulture. At the same time she managed a landscaping business.
“There were many times I was doubtful that I could continue to meet the demands of my chosen field,” O'Donnell said, crediting her family, friends and UC Davis scientists with offering her the support she needed to complete her education.
“When I began my education at UC Davis I chose Agricultural Systems and the Environment as my major. However, while working on my bachelor's degree I became infatuated with insects and their interaction with plants,” she said, which led to her endearing nickname, “The Bug Lady.”
“I continued my academic career in entomology and have never regretted that decision. I was privileged to study under the guidance of Professors Michael Parrella and Diane Ullman.” They, along with Professors Jay Rosenheim, Lynn Kimsey and Penny Gullan “became not only my instructors, guidance counselors, but also my mentors throughout my years at UC Davis.”
Parrella and O'Donnell collaborated with Moritz, (University of Halle-Wittenberg in Germany) on a grant to produce a molecular and morphological identification key, now available online.
An avid entomologist with a passion for soft spot for thrips—“my favorite insect!”--O'Donnell takes every opportunity to discuss the insect order, Thysanoptera, and train others to identify them. She provides training tools and workshops to assist with identification and curation of thrips.
In addition to her doctorate, O'Donnell holds two other degrees from UC Davis: a bachelor's in agricultural systems and the environment (1997) and a master's degree in plant protection and pest management (2000). Her master's thesis: “The Biology and Identification of Selected North American Thysanoptera Associated with Ornamental Plants.” Her dissertation covered “Color Morphology of the Western flower thrips in California and virus-vector relationships of members in the Terebrantia: Thysanoptera (a molecular and morphological analysis).” She praised her advisors, Penny Gullan, insect systematics; Diane Ullman, virus vectors; Steve Nadler, molecular phylogeny; and Parrella, integrated pest management.
While at UC Davis, O'Donnell organized and conducted a three-day thrips workshop funded by a biosecurity grant from USDA. It drew a capacity crowd.
The UC Davis-product encourages students to follow their dreams. “Focus on your goals, never deviate from those goals, and never allow obstacles to get in the way,” she advises. It is a difficult and challenging path you have chosen but it will be worth all the hard work. The UC Davis community, the ‘village' which supports you, is an experience you will never forget and the payoff will be great throughout your life.”